Post-punk: diferència entre les revisions
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[[Image:Sonic1991b.jpg|thumb|[[Kim Gordon]] of [[Sonic Youth]], walking over her bass guitar.]]
Around 1977, in North America, the New York [[No Wave]] was also tied in with the emerging eurocentric post-punk movement. With bands and artists such as [[Teenage Jesus and the Jerks]], [[Glenn Branca]], [[Rhys Chatham]], [[Mars (band)|Mars]], [[James Chance and the Contortions]], [[DNA (band)|DNA]], [[Bush Tetras]], [[Theoretical Girls]], [[Swans (band)|Swans]], and [[Sonic Youth]]. No Wave focused more on performance art than actual coherent musical structure. The [[Brian Eno]]-produced ''[[No New York]]'' compilation is considered the quintessential testament to the history of No Wave.<ref>{{
The original post-punk movement ended as the bands associated with the movement turned away from its aesthetics, just as post-punk bands had originally left punk rock behind in favor of new sounds. Many post-punk bands, most notably The Cure and Siouxsie and the Banshees, evolved into [[gothic rock]] and became identified with the [[goth subculture]]. Some shifted to a more commercial [[New Wave music|New Wave]] sound (such as Gang of Four),<ref>[{{Allmusic|class=album|id=r1687662|pure_url=yes}} Songs of The Free Bonus Tracks Allmusic review]</ref><ref>[{{Allmusic|class=album|id=r7986|pure_url=yes}} Hard Allmusic review]</ref> while others were fixtures on American [[college radio]] and became early examples of alternative rock. In the United States driven by [[MTV]] and alternative radio stations a number of post punk acts had an influence on or became part of the [[Second British Invasion]] of "[[New Music (music industry)|New Music]]" there.<ref>[http://news.google.com/newspapers?id=qQhKAAAAIBAJ&sjid=sx4NAAAAIBAJ&pg=2933,2175658&dq=new-music+new-wave&hl=en Triumph of the New [[Newsweek]] on Campus reprinted by the [[Michigan Daily]] March 2, 1984]</ref><ref>[http://docs.google.com/viewer?a=v&q=cache:K1FT9s7iZgMJ:iaspm-us.net/wordpress/wp-content/uploads/2010/09/Cateforis.pdf+Theo+Cateforis+the+death&hl=en&gl=us&pid=bl&srcid=ADGEESgXPV1cYTF5r2LVbQGmx2Vq76McE-1jikbaLuWR25ICOVhW1DXrVLZHO3GRx7LE_ki7TaPXhVFLU-DR_UJGNT9WLGe9rzwHKHs65aEhz92mAr0sxeZ81Vw_KUOOjJcoDsuvbehB&sig=AHIEtbSjIigaJFb7ZIlERw4k5u8F4Wt3ug The Death of New Wave Theo Canteforis Syracuse University 2009]</ref><ref>"Rip it Up and Start Again Post Punk 1978-1984" by [[Simon Reynolds]]</ref><ref>[http://books.google.de/books?id=JWdMOZGNOHUC&pg=PP1&dq=Tarnished+gold:+the+record+industry+revisited#v=onepage&q=british%20invasion&f=false Tarnished gold: the record industry revisited" Von R. Serge Denisoff, William L. Schurk p. 441]</ref>
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