Mode (música): diferència entre les revisions
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Línia 169:
*{{ref llibre| títol= Aristotle’s Politics: A Treatise on Government | autor= Aristotle | any=1895|url= http://books.google.cat/books?id=UHYWAAAAIAAJ&printsec=frontcover&dq=Aristotle+Treatise+Government&cd=3#v=onepage&q=how%20variously%20it%20can%20fascinate%20it&f=false}}, translated from the Greek of Aristotle by William Ellis, M.A., with an introduction by Henry Morley. London, Manchester, and New York: George Routledge and Sons, Ltd.
* Barbera, André (1984). "[[Octave Species]]". ''[[The Journal of Musicology]]'' 3, no. 3 (July): 229–41.{{doi|10.1525/jm.1984.3.3.03a00020}} http://www.jstor.org/stable/763813 (Subscription access)
* Barker, Andrew (ed.) (1984–89). ''Greek Musical Writings''. 2 vols. Cambridge & New York: Cambridge University Press. {{ISBN
* Barton, Louis W. G. (2009). "[http://www.scribeserver.com/medieval/byzantin.htm#music § Influence of Byzantium on Western Chant]". ''[http://www.scribeserver.com/medieval/ The Neume Notation Project: Research in Computer Applications to Medieval Chant]''
* Bower, Calvin M. (1984). "The Modes of Boethius". ''[[The Journal of Musicology]]'' 3, no. 3 (July): 252–63.{{doi|10.1525/jm.1984.3.3.03a00040}} http://www.jstor.org/stable/763815 (Subscription access)
* Carver, Anthony F. (2005). "Bruckner and the Phrygian Mode". ''Music and Letters'' 86, no. 1:74–99. {{doi|10.1093/ml/gci004}}
* Chalmers, John H. (1993). ''[http://eamusic.dartmouth.edu/~larry/published_articles/divisions_of_the_tetrachord/index.htmlDivisions of the Tetrachord / Peri ton tou tetrakhordou katatomon / Sectiones tetrachordi: A Prolegomenon to the Construction of Musical Scales]'', edited by Larry Polansky and Carter Scholz, foreword by Lou Harrison. Hanover, NH: Frog Peak Music. {{ISBN
* Cleonides (1965). "Harmonic Introduction," translated by Oliver Strunk. In ''Source Readings in Music History'', vol. 1 (Antiquity and the Middle Ages), edited by Oliver Strunk, 34–46. New York: Norton.
* Cooper, Peter (1995). ''Mel Bay's Complete Irish Fiddle Player''. Pacific, Missouri: Mel Bay Publications. {{ISBN
* Cott, Jonathan (1973). ''Stockhausen: Conversations with the Composer''. New York: Simon and Schuster. {{ISBN
* Curtis, Liane (1997). "Mode". In ''Companion to Medieval and Renaissance Music'', edited by Tess Knighton and David Fallows. Berkeley: University of California Press. {{ISBN
* Dahlhaus, Carl (1990). ''Studies on the Origin of Harmonic Tonality''. Princeton, New Jersey: Princeton University Press. {{ISBN
* Hoppin, Richard (1978). ''Medieval Music''. The Norton Introduction to Music History. New York: Norton. {{ISBN
* Jowett, Benjamin (1937). ''The Dialogues of Plato'', translated by Benjamin Jowett, 3rd ed. 2 vols. New York: Random House.{{OCLC|2582139}}
* Jowett, Benjamin (1943). ''Aristotle's Politics'', translated by Benjamin Jowett. New York: Modern Library.
* Mathiesen, Thomas J. (1999). [http://books.google.cat/books?id=Td5odzctae8C&pg=PA25&dq=Apollo%27s+Lyre+perfect+melos&cd=1#v=onepage&q=&f=false ''Apollo's Lyre: Greek Music and Music Theory in Antiquity and the Middle Ages'']. Publications of the Center for the History of Music Theory and Literature 2. Lincoln: University of Nebraska Press. {{ISBN
* Mathiesen, Thomas J. (2001a). "Greece, §I: Ancient". ''[[The New Grove Dictionary of Music and Musicians]]'', edited by Stanley Sadie and John Tyrrell. London: Macmillan.
* Mathiesen, Thomas J. (2001b). "Harmonia (i)". ''[[The New Grove Dictionary of Music and Musicians]]'', edited by Stanley Sadie and John Tyrrell. London: Macmillan.
Línia 189:
* Palisca, Claude V. (1984). "Introductory Notes on the Historiography of the Greek Modes". ''[[The Journal of Musicology]]'' 3, no. 3 (Summer): 221–28. {{doi|10.1525/jm.1984.3.3.03a00010}} http://www.jstor.org/stable/763812 (Subscription access)
* Rockstro, W[illiam] S[myth] (1880). "Modes, the Ecclesiastical". ''A Dictionary of Music and Musicians (A.D. 1450–1880), by Eminent Writers, English and Foreign'', vol. 2, edited by George Grove, D. C. L., 340–43. London: Macmillan and Co.
* Samson, Jim (1977). ''Music in Transition: A Study of Tonal Expansion and Atonality, 1900-1920''. Oxford & New York: Oxford University Press. {{ISBN
*Smith, Charlotte (1989). ''[http://books.google.co.uk/books?id=usc74SGmrf8C&pg=PA14&lpg=PA14&dq=dominant+reciting+tone+tenor&source=bl&ots=WJY8oaf5WU&sig=SzGikjFrIoRCV7xMdfWv_YQ-F9k&hl=ca&ei=FsG7Sp3iGJ-UjAfRioSpCw&sa=X&oi=book_result&ct=result&resnum=6#v=onepage&q=a%20manual%20of%20sixteenth&f=falseA Manual of Sixteenth-Century Contrapuntal Style]''. Newark: University of Delaware Press; London: Associated University Presses.{{ISBN
*Solomon, Jon (1984). "Towards a History of ''Tonoi''". ''[[The Journal of Musicology]]'' 3, no. 3 (July): 242–51.{{doi|10.1525/jm.1984.3.3.03a00030}} http://www.jstor.org/stable/763814 (Subscription access)
* Vieru, Anatol (1985). "Modalism-A 'Third World'". ''[[Perspectives of New Music]]'' 24, no. 1 (Fall–Winter): 62–71.
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