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Línia 19:
*{{wikicite|ref={{harvid|Avison|1752}}|reference=Avison, Charles (1752). ''An Essay on Musical Expression''. London: C. Davis.}}
*{{wikicite|ref={{harvid|Bakkegard and Morris|1961}}|reference=Bakkegard, B. M., and Elizabeth Ann Morris (1961). "Seventh Century Flutes from Arizona". ''Ethnomusicology'' 5, no. 3 (September): 184–86. {{doi|10.2307/924518}}.}}
*{{wikicite|ref={{harvid|Bakshi|2005}}|reference=Bakshi, Haresh (2005). ''101 Raga-s for the 21st Century and Beyond: A Music Lover's Guide to Hindustani Music''. Victoria, BC: Trafford. {{ISBN |9781412046770}}; {{ISBN |9781412231350}} (ebook).}}
*{{wikicite|ref={{harvid|Bandur|2001}}|reference=Bandur, Markus. 2001. ''Aesthetics of Total Serialism: Contemporary Research from Music to Architecture''. Basel, Boston and Berlin: Birkhäuser.}}
*{{wikicite|ref={{harvid|Barnes|1984}}|reference=Barnes, Latham (1984). ''The Complete Works of Aristotle''. Princeton: Princeton University Press. {{ISBN |0-691-09950-2}}.}}
*{{wikicite|ref={{harvid|Baroni|1983}}|reference=Baroni, Mario (1983). "The Concept of Musical Grammar", translated by Simon Maguire and William Drabkin. ''Music Analysis'' 2, no. 2:175–208.}}
*{{wikicite|ref={{harvid|Bartlette and Laitz|2010}}|reference=Bartlette, Christopher, and Steven G. Laitz (2010). ''Graduate Review of Tonal Theory''. New York: Oxford University Press. {{ISBN |978-0-19-537698-2}}.}}
*{{wikicite|ref={{harvid|Benade|1960}}|reference=Benade, Arthur H. (1960). ''Horns, Strings, and Harmony''. Science Study Series S 11. Garden City, New York: Doubleday & Company, Inc.}}
* {{wikicite|ref={{harvid|Bent|1987}}|reference=Bent, Ian D. (1987).{{Full citation needed|date= agost 2015}}.}}
* {{wikicite|ref={{harvid|Bent and Pople|2001}}|reference=Bent, Ian D., and Anthony Pople (2001). "Analysis." ''The New Grove Dictionary of Music and Musicians'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (musicologist)|John Tyrrell]]. London: Macmillan Publishers.}}
*{{wikicite|ref={{harvid|Benward and Saker|2003}}|reference=Benward, Bruce, and Marilyn Nadine Saker (2003). ''Music: In Theory and Practice'', seventh edition, 2 volumes. Boston: McGraw-Hill {{ISBN |978-0-07-294262-0}}.}}
*{{wikicite|ref={{harvid|Benward and Saker|2009}}|reference=Benward, Bruce, and Marilyn Nadine Saker (2009). ''Music in Theory and Practice'', eighth edition, vol. 2. Boston: McGraw-Hill. {{ISBN |978-0-07-310188-0}}.}}
*{{wikicite|ref={{harvid|Bernard|1981}}|reference=Bernard, Jonathan (1981). "Pitch/Register in the Music of Edgar Varèse." ''Music Theory Spectrum'' 3: 1–25.}}
*{{wikicite|ref={{harvid|Billmeier|1999}}|reference=Billmeier, Uschi (1999). ''Mamady Keïta: A Life for the Djembé—Traditional Rhythms of the Malinké'', fourth edition. Kirchhasel-Uhlstädt: Arun-Verlag. {{ISBN |978-3-935581-52-3}}.}}
*{{wikicite|ref={{harvid|Boethius|1989}}|reference=Boethius, Anicius Manlius Severinus (1989). ''Fundamentals of Music'', translated and edited by Claude V. Palisca. New Haven and London: Yale University Press/ {{ISBN |978-0-300-03943-6}}/}}
*{{wikicite|ref={{harvid|Boretz|1995}}|reference=[[Benjamin Boretz|Boretz, Benjamin]] (1995). ''Meta-Variations: Studies in the Foundations of Musical Thought''. Red Hook, New York: Open Space.}}
*{{wikicite|ref={{harvid|Both|2009}}|reference=Both, Arnd Adje (2009). "[http://www.jstor.org/stable/25735475 Music Archaeology: Some Methodological and Theoretical Considerations]". ''Yearbook for Traditional Music'' 41:1–11.}}
*{{wikicite|ref={{harvid|Brandt|2007}}|reference=Brandt, Anthony (2007). "[http://cnx.org/content/m11629/1.13/ Musical Form|url=]". ''Connexions'' (11 January; accessed 11 September 2011).}}{{Unreliable source?|date= juliol 2015|reason=This appears to be a self-published web blog.}}
*{{wikicite|ref={{harvid|Bregman|1994}}|reference=Bregman, Albert (1994). ''Auditory Scene Analysis: The Perceptual Organization of Sound''. Cambridge: MIT Press. {{ISBN |0-262-52195-4}}.}}
*{{wikicite|ref={{harvid|Brill|2012}}|reference=Brill, Mark (2012). "Music of the Ancient Maya: New Venues of Research". Paper presented at AMS-SW Conference Fall 2012. Texas State University}}{{Full citation needed|date= desembre 2014}}<!--This appears to be published in a "conference proceedings" of some sort, but the publication details need filling in.-->
*{{wikicite|ref={{harvid|Castan|2009}}|reference=Castan, Gerd (2009). "[http://www.music-notation.info/en/compmus/notationformats.html Musical Notation Codes]". ''Music-Notation.info'' (Accessed 1 May 2010).}}
Línia 41:
*{{ref-llibre|ref=harv|cognom1=Charry|nom1=Eric|lloc=Chicago|títol=Mande Music: Traditional and Modern Music of the Maninka and Mandinka of Western Africa|data=2000|editorial=University of Chicago Press|isbn=0-226-10161-4}}
*{{wikicite|ref={{harvid|Cheong|2012}}|reference=Cheong, Kong F. (2012). "A Description of the Ceramic Musical Instruments Excavated from the North Group of Pacbitun, Belize". In ''Pacbitun Regional Archaeological Project, Report on the 2011 Field Season'', edited by Terry G. Powis, 15–29. Belmopan, Belize: Institute of Archaeology.}}
*{{wikicite|ref={{harvid|Chernoff|1981}}|reference=Chernoff, John (1981). ''African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms''. Chicago: University of Chicago Press. {{ISBN |978-0-226-10345-7}}.}}
*{{wikicite|ref={{harvid|Christiani|1885}}|reference=Christiani, Adolph Friedrich (1885). ''The Principles of Expression in Pianoforte Playing''. New York: Harper & Brothers.}}
*{{wikicite|ref={{harvid|Civil|2010}}|reference=Civil, Miguel (2010). "The Lexical Texts in the Schøyen Collection". ''Cornell University Studies in Assyriology and Sumerology'' 12:203–14.}}
*{{wikicite|ref={{harvid|Confucius|1999}}|reference=Confucius (1999). ''The Analects of Confucius'', edited by Roger T. Ames and Henry Rosemont Jr.{{clarify|date= desembre 2014}}<!--Surely this is in English--who translated it?--> {{Full citation needed|date= desembre 2014}}<!--Place of publication needed.-->: Ballantine Books. {{ISBN |0345434072}}.}}
*{{wikicite|ref={{harvid|Conrad, Malina, and Münzel|2009}}|reference=Conrad, Nicholas J., Maria Malina, and Susanne C. Münzel (2009). "New Flutes Document the Earliest Musical Tradition in Southwestern Germany". ''Nature'' 460, no. 7256 (6 August): 737–40}}
*{{wikicite|ref={{harvid|Crease|2011}}|reference=Crease, Robert P. (2011). ''World in the Balance: The Historic Quest for an Absolute System of Measurement''. New York, London: W. W. Norton, Inc.}}
Línia 50:
*{{wikicite|ref={{harvid|Dahlhaus|2009}}|reference=[[Carl Dahlhaus|Dahlhaus, Carl]] (2009). "Harmony". ''Grove Music Online'', edited by Deane Root (reviewed 11 December; accessed 30 July 2015).}}
*{{wikicite|ref={{harvid|Darwin|1913}}|reference=[[Charles Darwin|Darwin, Charles]] (1913). ''[https://books.google.com/books?id=KRULAAAAIAAJ The Expression of the Emotions in Man and Animals]''. New York: D. Appleton and Company.}}
*{{wikicite|ref={{harvid|Davies|1994}}|reference=Davies, Stephen (1994). ''Musical Meaning and Expression''. Ithaca: Cornell University Press. {{ISBN |978-0-8014-8151-2}}.}}
*{{wikicite|ref={{harvid|d'Errico, et al.|2003}}|reference=d'Errico, Francesco, Christopher Henshilwood, Graeme Lawson, Marian Vanhaeren, Anne-Marie Tillier, Marie Soressi, Frederique Bresson, Bruno Maureille, April Nowell, Joseba Lakarra, Lucinda Backwell, Michele Julien (2003). "[http://www.eva.mpg.de/evolution/staff/soressi/pdf/Derrico-and-al2003_JWP.pdf Archaeological Evidence for the Emergence of Language, Symbolism, and Music—An Alternative Multidisciplinary Perspective]". ''Journal of World Prehistory'' 17, no. 1 (March): 1–70.}}
*{{wikicite|ref={{harvid|d'Erlanger|1930–56}}|reference=d'Erlanger, Rodolphe (ed. and trans.) (1930–56). ''La Musique arabe'', six volumes. Paris: P. Geuthner.}}
*{{wikicite|ref={{harvid|Despopoulos and Silbernagl|2003}}|reference=Despopoulos, Agamemnon, and Stefan Silbernagl (2003). ''Color Atlas of Physiology'', fifth edition. New York and Stuttgart: Thieme. {{ISBN |3-13-545005-8}}.}}
*{{ref-publicació|cognom1=Dietrich|nom1=Manfred|cognom2=Oswald Loretz|títol=Kollationen zum Musiktext aus Ugarit|publicació=Ugarit-Forschungen|data=1975|volum=7|pàgines=521–22|ref={{harvid|Dietrich and Loretz|1975}}}}
*{{wikicite|ref={{harvid|Ekwueme|1974}}|reference=Ekwueme, Laz E. N. (1974). "Concepts of African Musical Theory". ''Journal of Black Studies'' 5, no. 1 (September): 35–64}}
*{{wikicite|ref={{harvid|Forsyth|1935}}|reference=Forsyth, Cecil (1935). ''Orchestration'', second edition. New York: Dover Publications. {{ISBN |0-486-24383-4}}.}}
*{{wikicite|ref={{harvid|Garland and Kahn|1995}}|reference=Garland, Trudi Hammel, and Charity Vaughan Kahn (1995). ''Math and Music: Harmonious Connections''. Palo Alto: Dale Seymour Publications. {{ISBN |978-0-86651-829-1}}.}}
*{{wikicite|ref={{harvid|Gerstner|1964}}|reference=Gerstner, Karl. 1964. ''Designing Programmes: Four Essays and an Introduction'', with an introduction to the introduction by Paul Gredinger. English version by D. Q. Stephenson. Teufen, Switzerland: Arthur Niggli. Enlarged, new edition 1968.}}
*{{wikicite|ref={{harvid|Ghrab|2009}}|reference=Ghrab, Anas (2009). "[http://anas.ghrab.tn/fichiers/pdf/these2009.pdf Commentaire anonyme du Kitāb al-Adwār. Édition critique, traduction et présentation des lectures arabes de l'œuvre de Ṣafī al-Dīn al-Urmawī]". PhD thesis. Paris: University Paris-Sorbonne.}}
*{{wikicite|ref={{harvid|Grant|2001}}|reference=Grant, M[orag] J[osephine] (2001). ''Serial Music, Serial Aesthetics: Compositional Theory in Post-War Europe''. Music in the Twentieth Century, Arnold Whittall, general editor. Cambridge and New York: Cambridge University Press. {{ISBN |0-521-80458-2}}.}}
*{{wikicite|ref={{harvid|Green|1979}}|reference=Green, Douglass M. (1979). ''Form in Tonal Music''. Fort Worth: Harcourt Brace Jovanovich College Publishers; New York and London: Holt, Rinehart and Winston. {{ISBN |0-03-020286-8}}.}}
*{{ref-web|cognom1=Gross|nom1=Clint|títol=Anasazi Flutes from the Broken Flute Cave|url=http://www.flutopedia.com/flute_types_north_america.htm|website=Flutopedia|editor=Clint Gross, Phd.|consulta= 4 desembre 2014|ref={{harvid|Gross|n.d.}}}}
*{{wikicite|ref={{harvid|Haas and Creamer|2001}}|reference=Haas, Shady R., and J. W. Creamer (2001). "[http://www.ncbi.nlm.nih.gov Dating Caral, a Pre-ceramic Site in the Supe Valley on the Central Coast of Peru]". ''Science'' 292: 723–26. {{doi|10.1126/science.1059519}} {{PMID|11326098}}.}}
*{{wikicite|ref={{harvid|Harnsberger|1997}}|reference=Harnsberger, Lindsey C. (1997). "Articulation". ''Essential Dictionary of Music: Definitions, Composers, Theory, Instrument and Vocal Ranges'', second edition. The Essential Dictionary Series. Los Angeles: Alfred Publishing Co. {{ISBN |0-88284-728-7}}.}}
*{{wikicite|ref={{harvid|Hartmann|2005}}|reference=Hartmann, William M. (2005). ''Signals, Sound, and Sensation'', corrected, fifth printing. Modern Acoustics and Signal Processing. Woodbury, NY: American Institute of Physics; New York: Springer. {{ISBN |1563962837}}.}}
*{{wikicite|ref={{harvid|Houtsma|1995}}|reference=Houtsma, Adrianus J. M. (1995). "[http://web.mit.edu/HST.723/www/ThemePapers/Pitch/Houtsma95.pdf Pitch Perception]". In ''Hearing'', ''Handbook of Perception and Cognition'', second edition, edited by Brian C.J. Moore, 267–95. San Diego and London. Academic Press. {{ISBN |0125056265}}.}}
*{{wikicite|ref={{harvid|Huang|1989}}|reference=Huang, Xiang-peng (黄翔鹏) (1989). "Wuyang Jiahu gudi de ceyin yanjiu (舞阳贾湖骨笛的测音研究)" [Pitch Measurement Studies of Bone Flutes from Jiahu of Wuyang County]. ''Wenwu'' (文物) [Cultural Relics], no.&nbsp;1:15–17. Reprinted in 黄翔鹏文存 [Collected Essays of Huang Xiang-Peng], 2 vols, edited by Zhongguo Yishu Yanjiuyuan Yinyue Yanjiusuo (中国艺术研究院音乐研究所), 557–60. Ji'nan, China: Shandong Wenyi Chubanshe, 2007. {{ISBN |978-7-5329-2669-5}}.}}
*{{wikicite|ref={{harvid|Hung|2012}}|reference=Hung, Eric (2012). "[http://www.muscan.org/en/news/job-postings/184-job-western-university-music-theory Western University, Don Wright Faculty of Music: Tenure-Track Appointment in Music Theory]". Toronto: MusCan.}}
*{{wikicite|ref={{harvid|Isaac and Russell|2003}}|reference=Isaac and Russell (2003).{{Full citation needed|date= juliol 2015}}.}}
Línia 76:
*{{wikicite|ref={{harvid|Kilmer|1971}}|reference= Kilmer, Anne D. (1971). "The Discovery of an Ancient Mesopotamian Theory of Music". ''Proceedings of the Americal Philosophical Society'' 115, no. 2:131–49.}}
*{{wikicite|ref={{harvid|Kilmer and Mirelman|n.d.}}|reference=Kilmer, Anne, and Sam Mirelman. n.d. "[http://www.oxfordmusiconline.com/subscriber/article/grove/music/18485 Mesopotamia. 8. Theory and Practice]". Grove Music Online. Oxford Music Online. Oxford University Press, accessed November 13, 2015. {{subscription}}}}
*{{wikicite|ref={{harvid|Kivy|1993}}|reference=Kivy, Peter (1993). ''The Fine Art of Repetition: Essays in the Philosophy of Music''. Cambridge and New York: Cambridge University Press.{{ISBN |978-0-521-43462-1}} (cloth); {{ISBN |978-0-521-43598-7}} (pbk).}}
*{{wikicite|ref={{harvid|Kliewer|1975}}|reference=Kliewer, Vernon (1975). "Melody: Linear Aspects of Twentieth-Century Music". In ''Aspects of Twentieth-Century Music'', edited by Gary Wittlich, 270–301. Englewood Cliffs, New Jersey: Prentice-Hall. {{ISBN |0-13-049346-5}}.}}
*{{wikicite|ref={{harvid|Kostka and Payne|2004}}|reference=Kostka, Stefan, and Dorothy Payne (2004). ''Tonal Harmony'', fifth edition. New York: McGraw-Hill.}}
*[[Jonathan Kramer|Kramer, Jonathan]] (1988). ''The Time of Music''. New York: Schirmer Books.
*{{wikicite|ref={{harvid|Kubik|1998}}|reference=Kubik, Gerhard (1998). ''Kalimba—Nsansi—Mbira. Lamellophone in Afrika''. Berlin: Museum fur Volkerkunde. {{ISBN |3886094391}}.}}
*{{wikicite|ref={{harvid|Kubik|2010}}|reference=Kubik, Gerhard (2010). ''Theory of African Music'', 2 vols. Chicago: University of Chicago Press. {{ISBN |0-226-45691-9}}.}}
*{{wikicite|ref={{harvid|Kümmel|1970}}|reference=Kümmel, H. M. (1970). "Zur Stimmung der babylonischen Harfe". ''Orientalia'' 39:252–63.}}
*{{wikicite|ref={{harvid|Laroche|1955}}|reference=Laroche, Emmanuel (1955). ''Le palais royal d' Ugarit 3: Textes accadiens et hourrites des archives est, ouest et centrales''. Paris: C. Klincksieck/}}
*{{wikicite|ref={{harvid|Latham|2002}}|reference=Latham, Alison (ed.) (2002). ''The Oxford Companion to Music''. Oxford and New York: Oxford University Press. {{ISBN |0-19-866212-2}}.}}
*{{wikicite|ref={{harvid|Laurie|2014}}|reference=Laurie, Timothy (2014). "Music Genre as Method". ''Cultural Studies Review'' 20, no. 2:283–92.}}
*{{wikicite|ref={{harvid|Lee and Shen|1999}}|reference=Lee, Yuan-Yuan, and Sin-Yan Shen (1999). ''Chinese Musical Instruments''. Chinese Music Monograph Series. Chicago: Chinese Music Society of North America Press. {{ISBN |1880464039}}.}}
*{{wikicite|ref={{harvid|Lerdahl|2001}}|reference=[[Fred Lerdahl|Lerdahl, Fred]] (2001). ''Tonal Pitch Space''. Oxford: Oxford University Press.}}
*{{wikicite|ref={{harvid|Lewin|1987}}|reference=[[David Lewin|Lewin, David]] (1987). ''Generalized Musical Intervals and Transformations''. New Haven: Yale University Press.}}
* {{wikicite|ref={{harvid|Linkels|n.d.}}|reference=Linkels, Ad. n.d. "The Real Music of Paradise". In ''World Music'', Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific, edited by Simon Broughton and Mark Ellingham, with James McConnachie and Orla Duane, 218–29. {{Full citation needed|date= juliol 2015}}<!--Place of pub needed.-->: Rough Guides Ltd, Penguin Books. {{ISBN |1-85828-636-0}}.}}
*{{wikicite|ref={{harvid|Lloyd and Boyle|1978}}|reference=Lloyd, Llewellyn S., and Hugh Boyle (1978). ''Intervals, Scales and Temperaments''. New York: St. Martin's Press. {{ISBN |0-312-42533-3}}.}}
*{{wikicite|ref={{harvid|London|n.d.}}|reference=London, Justin (n.d.), "[http://www.people.carleton.edu/~jlondon/musical_expression_and_mus.htm Musical Expression and Musical Meaning in Context]" {{Full citation needed|date= juliol 2015}}}}
*{{wikicite|ref={{harvid|Lu|2005}}|reference=Lu, Liancheng (2005). "The Eastern Zhou and the Growth of Regionalism". In ''The Formation of Chinese Civilization'', edited by Sarah Allan, 203–48. New Haven and London: Yale University Press. {{ISBN |978-0-300-09382-7}}.}}
*{{wikicite|ref={{harvid|Lussy|1892}}|reference=Lussy, Mathis (1892). ''Musical Expression: Accents, Nuances, and Tempo, in Vocal and Instrumental Music'', translated by Miss M. E. von Glehn. Novello, Ewer, and Co.'s Music Primers 25. London: Novello, Ewer and Co.; New York: H. W. Gray}}
*{{wikicite|ref={{harvid|McAdams and Bregman|1979}}|reference=McAdams, Stephen, and Albert Bregman (1979). "[http://www.jstor.org/stable/4617866 Hearing Musical Streams]". ''Computer Music Journal'' 3, no. 4 (December): 26–43, 60.}}
*{{wikicite|ref={{harvid|Malm|1996}}|reference=Malm, William P. (1996). ''Music Cultures of the Pacific, the Near East, and Asia'', third edition. {{Full citation needed|date= juliol 2015}}<!--Place and publisher needed.-->. {{ISBN |0-13-182387-6}}.}}
* {{wikicite|ref={{harvid|Manik|1969}}|reference=Manik, Liberty (1969). ''Das Arabische Tonsystem im Mittelalter''. Leiden: E. J. Brill.}}
* {{wikicite|ref={{harvid|Mann, Wilson, and Urquhart|n.d.}}|reference=Mann, Alfred, J. Kenneth Wilson, and Peter Urquhart. n.d. "Canon (i)." ''Grove Music Online''. Oxford Music Online (Accessed 2 January 2011) {{subscription}}.}}
*{{ref-web|cognom=Mannell|nom=Robert|any=n.d.|títol=Spectral Analysis of Sounds|url=http://clas.mq.edu.au/speech/acoustics/frequency/spectral.html|website=Macquarie University|ref=harv}}
*{{wikicite|ref={{harvid|Middleton|1990}}|reference=Middleton, Richard (1990). ''Studying Popular Music''. Milton Keynes and Philadelphia: Open University Press. {{ISBN |9780335152766}} (cloth); {{ISBN |9780335152759}} (pbk).}}
*{{wikicite|ref={{harvid|Middleton|1999}}|reference=[[Richard Middleton (musicologist)|Middleton, Richard]] (1999). "Form". In ''[https://books.google.com/books?id=gY-w68zIQWQC Key Terms in Popular Music and Culture]'', edited by Bruce Horner and [[Thomas Swiss]], {{Page needed|date= juliol 2015}}<!--Inclusive page numbers of Middleton's chapter are needed.-->. Malden, MA: [[Wiley-Blackwell|Blackwell Publishing]]. {{ISBN |0-631-21263-9}}.}}
*{{wikicite|ref={{harvid|Mirelman|2010}}|reference=Mirelman, Sam (2010). "A New Fragment of Music Theory from Ancient Iraq". ''Archiv für Musikwissenschaft'' 67, no. 1:45–51.}}
*{{wikicite|ref={{harvid|Mirelman|2013}}|reference=Mirelman, Sam (2013). "[http://www.aawmjournal.com/articles/2013b/Mirelman_AAWM_Vol_2_2.pdf Tuning Procedures in Ancient Iraq]". ''Analytical Approaches to World Music'' 2, no. 2:43–56.}}{{Clarify|date= desembre 2014}}
Línia 106:
*{{wikicite|ref={{harvid|Moore|2001}}|reference=Moore, Allan F. (2001). "[http://www.jstor.org/stable/3526163 Categorical Conventions in Music Discourse: Style and Genre]". ''Music & Letters'' 82, no. 3 (August): 432–42.}}
*{{ref-llibre|cognom1=Muni|ref=harv|nom1=Bharat|títol=Natya Shastra|data=1951|editorial=Asiatic Society of Bengal|lloc=Calcutta|url=https://archive.org/stream/NatyaShastra/natya_shastra_translation_volume_2_-_bharat_muni#page/n19/mode/2up}}
*{{wikicite|ref={{harvid|Nattiez|1976}}|reference=Nattiez (1976). ''Fondements d'une sémiologie de la musique''. Collection Esthétique. Paris: Union générale d'éditions. {{ISBN |9782264000033}}.}}
*{{wikicite|ref={{harvid|Nattiez|1989}}|reference=Nattiez (1989). ''Proust as Musician'', translated by Derrick Puffett. Cambridge and New York: Cambridge University Press. {{ISBN |978-0-521-36349-5}} (cloth); {{ISBN |978-0-521-02802-8}}.}}
*{{wikicite|ref={{harvid|Nattiez|1990}}|reference= [[Jean-Jacques Nattiez|Nattiez, Jean-Jacques]] (1990). ''Music and Discourse: Toward a Semiology of Music'', translated by Carolyn Abbate of ''Musicologie generale et semiologie''. Princeton: Princeton University Press. {{ISBN |978-0-691-09136-5}} (cloth); {{ISBN |978-0-691-02714-2}} (pbk).}}
*{{wikicite|ref={{harvid|Nave|n.d.}}|reference=Nave, R. (n.d.). "[http://hyperphysics.phy-astr.gsu.edu/hbase/sound/maxsens.html Frequencies for Maximum Sensitivity of Human Hearing]" Hyperphysics website, Georgia State University (accessed 5 December 2014).}}
*{{wikicite|ref={{harvid|OED|2005}}|reference={{OED|theory, ''n''.<sup>1</sup>}}}}
*{{wikicite|ref={{harvid|Olson|2011}}|reference=Olson, Steve (2011). "[http://paw.princeton.edu/issues/2011/02/09/pages/6550/index.xml A Grand Unified Theory of Music]". ''Princeton Alumni Weekly'' 111, no. 7 (February 9) (Online edition accessed 25 September 2012).}}
*{{wikicite|ref={{harvid|Palisca and Bent|n.d.}}|reference=Palisca, Claude V., and Ian D. Bent. n.d. "Theory, Theorists". ''Grove Music Online'', edited by Deane Root. Oxford University Press (accessed 17 December 2014).}}
*{{wikicite|ref={{harvid|Ptolemy|1999}}|reference=Ptolemy (1999). ''Harmonics'', translation and commentary by Jon Solomon. Mnemosyne, bibliotheca classica Batava: Supplementum 203. Leiden and Boston: Brill Academic Publications. {{ISBN |9004115919}}.}}
* {{wikicite|ref={{harvid|Purwins|2005}}|reference=Purwins, Hendrik (2005). "[https://ccrma.stanford.edu/~purwins/purwinsPhD.pdf Profiles of Pitch Classes Circularity of Relative Pitch and Key: Experiments, Models, Computational Music Analysis, and Perspectives]". Doktor der Naturwissenschaften diss. Berlin: Technischen Universität Berlin.}}
*{{wikicite|ref={{harvid|Randel|2003}}|reference=Randel, Don Michael (ed.) (2003).''The Harvard Dictionary of Music'', fourth edition, 260–62. Cambridge: The Belknap Press for Harvard University Press. {{ISBN |978-0674011632}}/ {{Full citation needed|date= desembre 2014}}<!--It is customary to cite dictionaries by article title. What is the subject found on pages 260–62?-->}}
*{{wikicite|ref={{harvid|Read|1969}}|reference=Read, Gardner (1969). ''Music Notation: A Manual of Modern Practice'', second edition. Boston, Allyn and Bacon. Reprinted, London: Gollancz, 1974. {{ISBN |9780575017580}}. Reprinted, London: Gollancz, 1978. {{ISBN |9780575025547}}. Reprinted, New York: Taplinger Publishing, 1979. {{ISBN |9780800854591}}; {{ISBN |9780800854539}}.}}.
*{{ref-publicació|cognom1=Ross|nom1=John|títol=First City in the New World?|publicació=Smithsonian Museum|data= agost 2002|pàgines={{Page needed|date= desembre 2014}}<!--Inclusive pages needed.-->|ref=harv}}
*{{wikicite|ref={{harvid|Routledge|2008}}|reference=Routledge (2008). ''The Concise Garland Encyclopedia of World Music'', iorst edition {{Full citation needed|date= desembre 2014}}<!--Author's first name and place of publication needed, also it is customary to cite encyclopedia and dictionary articles by title as well as author, if they are signed.-->: Garland Encyclopedia of World Music. {{ISBN |978-0415994040}}.}}
*{{wikicite|ref={{harvid|Samson|n.d.}}|reference=Samson, Jim." [http://www.oxfordmusiconline.com/subscriber/article/grove/music/40599 Genre]". In Grove Music Online, edited by Deane Root. Oxford Music Online. Accessed March 4, 2012.}}
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