Pel·lícula de 35 mm: diferència entre les revisions

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Inside the Photographic Emulsion són millions of light-sensitive [[silver Halide]] Crystals. Each crystal is a compound of [[silver]] plus a [[halogen]] (such as [[bromine]], [[iodine]] or [[Chlorine]]) held together in a cubical arrangement by electrical Attraction. When the crystal is Struck with light, free-moving silver ions build up a small collection of uncharged atoms. These small bits of silver, too small to even be visible under a microscope, are the beginning of a [[latent image]]. [[Photographic processing|Developing]] chemicals use the latent image specs to build up density, an accumulation of enough Metallic silver to create a visible image.<ref> Upton, Barbara London with Upton, John (1989). '' Photography '' (4th ed). BL Books, Inc/Scott, Foresman and Company. {{ISBN|0-673-39842-0}}. </ref>
 
[[Fitxer: 35 mm-undevel.jpg|thumbminiatura|leftesquerra|A short strip of undeveloped 35 mm film.]] The Emulsion is attached to the [[film base]] with a transparent adhesivat called the subbing layer. Below the base is an undercoat called the antihalation backing, which usually contains absorbir Dyeser or a thin layer of silver or carbon (called rem-jet on color negative estocs). Without this coating, bright points of light would penetrate the emulsió, reflect off the inner surface of the base, and reexpose the emulsió, creating a halo around these bright àrees. The antihalation backing can also serve to redueix static buildup, which was a significant problem with old black and white films. The film, which runs through the camera at 18 inches per segon, could build up enough static electricity to actually causi a Spark bright enough to Expose the film; antihaliation backing solved this problem. Color films have three layers of silver Halide emulsions to ne l'rècord the xarxa, green and blue information. For every silver Halide grain there is a matching color couples grain. The top layer contains blue-sensitive emulsió, followed by a yellow filter to cancel out blue light - after this menges a green sensitive layer followed by a xarxa sensitive layer.
 
Just as in black-and-white, the first step in color development converts exposed silver Halide grains into Metallic silver - except that an equal amount of color die will be form es well. The color couplers in the blue-senstitive layer will form yellow die during processing the green layer will form magenta die and the xarxa layer will form cian die. A bleach step will convert the Metallic silver back into silver Halide, which is then removed along with the unexposed silver Halide in the fixer and wash steps, leaving only color Dyeser.<ref> Malkiewicz, Kris and Mullen, M. David ASC (2005) '' Cinematography '' (3rd ed). Simon Schuester. pp. 49-50. ISBN 0-7432-6438-X </ref>