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== Bibliografia ==
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* Durham, Jimmie. (1983) ''Columbus Day''. Albuquerque, New Mexico: [[West End Press]].
* Durham, Jimmie. (1992) 'Geronimo!', ''Partial Recall: Photos of Native North Americans''. Lucy R. Lippard, ed. New York: [[The New Press]]. pp. 55–58.
*de Baere, Bart. (1992) ''Will/Power''. Ohio: [[Wexner Center for the Arts]].
* Durham, Jimmie. (1993) ''A Certain Lack of Coherence: Writings on Art and Cultural Politics''. [[Jean Fisher]], ed., London: Kala Press.
* Shiff, Richard. (1992) 'The Necessity of Jimmie Durham’s Jokes', ''Art Journal''. vol. 51, no. 3. pp. 74–80.
* Lippard, Lucy. (1993) 'Jimmie Durham: Postmodernist Savage', ''Art In America'' vol. 81, no. 2, February. pp. 62–69.
* Durham, Jimmie. (1993) ''Jimmie Durham: My Book, The East London Coelacanth''. London: ICA Book Works.
* Durham, Jimmie. (1994) 'Jimmie Durham: Interviewed by Mark Gisbourne', ''[[Art Monthly]]'' February. 173. pp. 7–11.
* Durham, Jimmie. (1995) 'Attending to Words and Bones: An Interview with [[Jean Fisher]]', ''[[Art and Design]]''. vol. 10, nos. pp. 7–8. 47-55.
* Canning, Susan. (1995) 'Jimmie Durham', ''The New Art Examiner''. vol. 23, no. 2. pp. 31–35.
* Mulvey, Laura, Dirk Snauwaert, and Mark Alice Durant. (1995) ''Jimmie Durham''. London: [[Phaidon Press]].
* Durham, Jimmie. (1996) ''Eurasian Project, Stage One: La porte de l’Europe (Les Bourgeois de Calais, La Leon d’Anatomie. A Progress Report)''. Champagne-Ardenne, Calais, Anvers: Le College Editions, Galerie de l’ Ancienne Poste, Galerie Micheline Szwajcer.
* Durham, Jimmie. (1996) ''Der Verführer und der Steinerne Gast''. Vienna: [[Springer Verlag]]
* Durham, Jimmie. (1998) ''Jimmie Durham: Between the Furniture and the Building (Between a Rock and a Hard Place)''. Munich: Kunstverein München.
* Durham, Jimmie. (1998) "The Centre of the World is Several Places (Parts I & II)." Interview by Beverly Koski and Richard William Hill (Berlin, February 1998). ''FUSE Magazine'' vol. 21, nos. 3 & 4, 1998. pp. 24–33 & 46-53, respectively.
* Durham, Jimmie. (2001) ''Stone Heart''. Kitakyushu, Japan: Centre for Contemporary Art, Kitakyushu.
* Durham, Jimmie. (2001). 'Belief in Europe', in S. Hassan & I. Dadi (eds.). ''Unpacking Europe''. Rotterdam: Museum Boijmans Van Beuningen/Nai Publishers, pp. 290–293.
* Durham, Jimmie. (2004). 'Situations', in C. Doherty (ed.). ''Contemporary Art: from Studio to Situation''. London: [[Black Dog Publishing]], pp. 177–183
* Durham, Jimmie. (2004). 'Stones Rejected by the Builder', in G. Di Pietrantonio, et al.. ''Jimmie Durham''. Milan: Charta, Fondazione Antonio Ratti, pp. 117–130.
* Taussig, Michael. (2004) 'Jimmie Durham', ''On Reason And Emotion: Biennale of Sydney 2004'', Isabel Carlos, ed. Sydney: Biennale of Sydney Ltd. pp. 82–85.
* Durham, Jimmie. (2005) ''The Second Particle Wave Theory. As Performed on the Banks of the River Wear, a Stone’s Throw from S’Underland and the Durham Cathedral''. Sunderland, UK/ Banff: [[University of Sunderland]]/Walter Phillips Gallery.
* Durham, Jimmie. (2005) 'Various Element of Cowboy Life' & 'Cherokee-US Relations' ''The American West''. Compton Verney, Warwickshire: [[Compton Verney House|Compton Verney House Trust]]. pp. 9–22 & 51-59 respectively.
* Robecchi, Michele. (2006) 'Jimmie Durham', ''Contemporary''. vol. 5, no. 89. pp. 52–55.
* Bossé, Laurence, et al. (2009) ''Jimmie Durham. Pierre Rejetées...''. Paris: Paris Musées. {{ISBN|978-2-7596-0084-7}}
* Appleford, Rob. (2010) "Jimmie Durham and the Carpentry of Ambivalence," ''Social Text'' 28(4): 91–111. {{doi|10.1215/01642472-2010-012}}
* Durham, Jimmie. (2011). ''Amoxohtli/Libro de Carretera/A Road Book''. Köln: Walther König.
 
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