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Els '''modes grecs''' són una organització de sons descendents (que van des d'un so agut fins a un de més greu) establint distàncies d'un [[to]] o de mig to entre els set sons que els conformen.<ref name="Monro1894">{{cite book|author=David Binning Monro|title=The Modes of Ancient Greek Music|url=http://books.google.cat/books?id=X2SfaS3cLXoC&pg=PA18|accessdate=27 February 2011|year=1894 |publisher=Elibron.com |isbn=9781421213378 |pages=18–}}</ref>
Els seus noms deriven dels subgrups grecs ([[dòric]]s), una petita regió en el centre de [[Grècia]] ([[Lòcridalocris]]), i alguns pobles veïns (no grecs) d'[[Àsia Menor]] ([[Lídialidis]], [[Regió de Frígia |Frígiafrigis]]). L'associació d'aquests noms ètnics amb l'espècie d'[[octava]] sembla precedir Aristóxen[[Aristoxen]], que va criticar la seva aplicació als ''tonoi '' per part de teòrics anteriors a qui ell va anomenar ''Harmonicistes'' (Mathiesen 2001a, 6(iii)(d)).
 
== Modes grecs antics ==
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* Anderson, Warren, and Thomas J. Mathiesen (2001). "Ethos". ''The New Grove Dictionary of Music and Musicians'', second edition, edited by [[Stanley Sadie]] and [[John Tyrrell (professor of music)|John Tyrrell]]. London: Macmillan Publishers.
*{{Cite book| title= Aristotle's Politics: A Treatise on Government | author= Aristotle | translator=William Ellis | year=1895|url= http://books.google.cat/books?id=UHYWAAAAIAAJ&printsec=frontcover&dq=Aristotle+Treatise+Government&cd=3#v=onepage&q=how%20variously%20it%20can%20fascinate%20it&f=false}}, translated from the Greek of Aristotle by William Ellis, M.A., with an introduction by Henry Morley. London, Manchester, and New York: George Routledge and Sons, Ltd.
* Barbera, André (1984). "[[http://www.jstor.org/stable/763813 Octave Species]]". ''[[The Journal of Musicology]]'' 3, no. 3 (July): 229–41.{{doi|10.1525/jm.1984.3.3.03a00020}} http://www.jstor.org/stable/763813 (Subscription access)
* Barker, Andrew (ed.) (1984–89). ''Greek Musical Writings''. 2 vols. Cambridge & New York: Cambridge University Press. ISBN 0-521-23593-6 (v. 1) ISBN 0-521-30220-X (v. 2).
* Barton, Louis W. G. (2009). "[http://www.scribeserver.com/medieval/byzantin.htm#music § Influence of Byzantium on Western Chant]". ''[http://www.scribeserver.com/medieval/ The Neume Notation Project: Research in Computer Applications to Medieval Chant]''
* Bower, Calvin M. (1984). "[http://www.jstor.org/stable/763815 The Modes of Boethius]". ''[[The Journal of Musicology]]'' 3, no. 3 (July): 252–63.{{doi|10.1525/jm.1984.3.3.03a00040}} http://www.jstor.org/stable/763815 (Subscription access)
* Carver, Anthony F. (2005). "Bruckner and the Phrygian Mode". ''Music and Letters'' 86, no. 1:74–99. {{doi|10.1093/ml/gci004}}
* Chalmers, John H. (1993). ''[http://eamusic.dartmouth.edu/~larry/published_articles/divisions_of_the_tetrachord/index.htmlDivisions of the Tetrachord / Peri ton tou tetrakhordou katatomon / Sectiones tetrachordi: A Prolegomenon to the Construction of Musical Scales]'', edited by Larry Polansky and Carter Scholz, foreword by Lou Harrison. Hanover, NH: Frog Peak Music. ISBN 0-945996-04-7
Linha 132 ⟶ 133:
* Mathiesen, Thomas J. (2001c). "Tonos". ''[[The New Grove Dictionary of Music and Musicians]]'', edited by Stanley Sadie and John Tyrrell. London: Macmillan.
* Nikodēmos 'Agioreitēs [St Nikodemos of the Holy Mountain] (1836). '''Eortodromion: ētoi 'ermēneia eis tous admatikous kanonas tōn despotikōn kai theomētorikōn 'eortōn'', edited by Benediktos Kralidēs. Venice: N. Gluku. Reprinted, Athens: H.I. Spanos, 1961.
* Palisca, Claude V. (1984). "[http://www.jstor.org/stable/763812 Introductory Notes on the Historiography of the Greek Modes]". ''[[The Journal of Musicology]]'' 3, no. 3 (Summer): 221–28. {{doi|10.1525/jm.1984.3.3.03a00010}} http://www.jstor.org/stable/763812 (Subscription access)
* Rockstro, W[illiam] S[myth] (1880). "Modes, the Ecclesiastical". ''A Dictionary of Music and Musicians (A.D. 1450–1880), by Eminent Writers, English and Foreign'', vol. 2, edited by George Grove, D. C. L., 340–43. London: Macmillan and Co.
* Samson, Jim (1977). ''Music in Transition: A Study of Tonal Expansion and Atonality, 1900-1920''. Oxford & New York: Oxford University Press. ISBN 0-460-86150-6.