Clarence Hudson White
fotògraf estatunidenc
Clarence Hudson White (1871 – 1925) va ser un fotògraf autodidacte estatunidenc membre dels moviments anomenats Photo-Secession i Pictorialisme. El 1906 White i la seva família dexaren l'ambient rural d'Ohio i es traslladaren a la ciutat de Nova York. El 1914 fundà la Clarence H. White School of Photography, la primera institució educativa dels Estats Units que va ensenyar la fotografia com un art. Va ser amic i un seguidor d'Alfred Stieglitz, un dels fundadors de la Photo-Secession.[1]
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Biografia | |||
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Naixement | Clarence Hudson White 8 abril 1871 Newark (Ohio) | ||
Mort | 7 juliol 1925 (54 anys) Ciutat de Mèxic | ||
Causa de mort | infart de miocardi | ||
Nacionalitat | Estats Units | ||
Formació professional | high school | ||
Activitat | |||
Ocupació | fotògraf, professor d'universitat | ||
Activitat | (Floruit: 1898 ) | ||
Ocupador | Universitat de Colúmbia | ||
Membre de | |||
Company professional | Alfred Stieglitz: White and Stieglitz (en) | ||
Família | |||
Cònjuge | Jane Felix | ||
Fills | Lewis Felix, Maynard Pressley, Clarence Hudson Jr. | ||
Pares | Lewis Perry White i Phebe Billman | ||
Galeria fotogràfica
modifica-
Boy with Wagon, 1898
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The Ring Toss, 1899
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Letitia Felix, 1901
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The Orchard, 1902
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The Kiss, 1905
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Pipes of Pans, 1905
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Boy with Camera Work, 1905
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Experiment #27 - Jointely creat per White i Alfred Stieglitz
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Nude, 1908
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Rose Pastor Stokes, 1909
Referències
modifica- Barnes, Lucinda (ed.) with Constance W. Glenn and Jane L. Bledsoe. A Collective Vision: Clarence H. White and His Students. Long Beach, CA: University Art Museum, 1985.
- Bunnell, Peter. Clarence H. White: The Reverence for Beauty. Athens, Ohio: Ohio University Gallery of Fine Arts, 1986. ISBN 0-933041-01-2
- Bunnell, Peter. The Significance of Clarence Hudson White (1871-1925) in the Development of Expressive Photography. Athens, Ohio: Ohio University, Master's Thesis, 1961.
- Fulton, Marianne (ed.) with Bonnie Yochelson and Kathleen Erwin. Pictorialism into Modernism, The Clarence H. White School of Photography. NY: Rizzoli, 1996. ISBN 0-8478-1936-1
- Homer, William Innes (editor). Symbolism of Light: The Photographs of Clarence H. White. Wilmington, DE: Delaware Art Museum, 1977.
- Maddox, Jerald. Photographs of Clarence H. White. Lincoln, Nebraska: Sheldon Art Gallery, 1968
- Michaels, Barbara L."Pattern vs. Passion: The Legacy of the Clarence H. White School of Photography." Afterimage, Vol 24 (November/December 1996), p 7-11
- Naef, Weston J. The Collection of Alfred Stieglitz, Fifty Pioneers of Modern Photography. NY: Viking Press, 1978. ISBN 0-670-67051-0
- Nickel, Douglas R. "Autochromes by Clarence H. White." Record of the Art Museum, Princeton University Vol. 51, No. 2 (1992), pp. 31–37
- Padon, Thomas (ed.). Truth Beauty, Pictorialism and the Photograph as Art, 1845 ‒ 1945. Vancouver, BC: Vancouver Art Gallery, 2008. ISBN 978-1-55365-294-6
- Peterson, Christian A. Alfred Stieglitz's Camera Notes. New Yprk: Norton, 1993. ISBN 0-393-31126-0
- Peterson, Christian A. After the Photo-Session: American Pictorial Photography 1910-1955. New York: Norton, 1997. ISBN 0-393-04111-5
- White, Clarence H., Jr. and Peter C. Bunnell. "The Art of Clarence Hudson White." The Ohio University Review. 7 (1965), pp 40-65.
- White, Maynard P., Jr. Clarence H. White. Millerton, NY: Aperture, 1979. ISBN 0-89381-019-3
- White, Maynard Pressley, Jr. Clarence H. White: A Personal Portrait. Wilmington, Delaware: University of Delaware, PhD dissertation, 1975.
- Yochelson, Bonnie. "Clarence H. White Reconsidered: An Alternative to the Modernist Aesthetic of Straight Photography." Studies in Visual Communications, 9, Fall 1893, pp 22–44.
Notes
modifica- ↑ Brown, Julie K. Contesting Images: Photography and the World's Columbian Exposition. Tucson: University of Arizona, 1974, p. 10–35. ISBN 0-8165-1410-0.