Fitxer:Emetrius (Meister der Schule von Távara) 002.jpg

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Resum

Artista
Emetrius (Meister der Schule von Távara)
Títol
Deutsch: Gruppe der Beatus-Apokalypsen zum Textkompendium des spanischen Mönches Beatus von Liebana (8. Jhd.), Szene: Die beiden Zeugen

f. 164r, The two witnesses

This full-folio illustration depicts only the description of the two figures but not their power or what is to happen to them subsequently. The Gerona Beatus features several exclusive aspects: firstly, the size of the image, followed by the large horseshoe arch with plant decorative motifs on its extrados, set above the two men shown facing completely forward, standing upon trapezoidal podiums – a new aspect only appearing in Gerona– wearing garments with hoods fastened under the chin by a round fastener reminiscent of Visigothic, disk-shaped fibulas, possibly in reference to the cilices alluded to in the storia, and with a crosier in their hands –the last element exclusive to this manuscript– representing the power they received to control nature whilst preaching (Rev. 11: 6). The end of the staff held by the witness on the left, called “ELIAS” according to the legend overhead, is curved, whilst that of the one on the right, called “ENOC”, is straight. The Gerona Beatus is the only extant manuscript in stemma II to show the witnesses with such attributes, for they are usually each shown with a book symbolizing their preaching in line with the iconography of the prophet portrait, antecedents of which are to be found in the portraits of authors in Antiquity. Above them are two very ancient looking lamps each with four candlesticks flanked by two schematic trees bearing fruit, in allusion to the lamps and the olive trees mentioned in the storia and the legend at the top: “ISTI SVNT DVE OLIBE/ET DVE CANDE-/LABA”. Mention must first be made of the partial influence of the explanatio upon the images or, at least, upon the legends, because the storia makes no mention of the witnesses’ names. Beatus however, in keeping with St Jerome’s version of Victorinus of Pettau, calls one Elijah – the prophet who ascended to heaven in a chariot of fire (2 Rev. 2: 11). He seems unable to conciliate the sources about the other, however, calling him by two names: Jeremiah –according once again to Victorinus as per St Jerome– a name to be found at the end of the explanatio and used for the second witness in the legend in the only manuscript to include this identification i.e. the Vitr. 14-1
Object type pintura
object_type QS:P31,Q3305213
Data 975
Material/Tècnica
Deutsch: Pergament
Dimensions altura: 36 cm; amplada: 23 cm
dimensions QS:P2048,36U174728
dimensions QS:P2049,23U174728
institution QS:P195,Q2261322
Notes
Deutsch: Tradition mozarabischer Buchmalerei, Schule von San Salvador de Távara, in Zusammenarbeit mit Ende entstanden
Origen/Fotògraf The Yorck Project (2002) 10.000 Meisterwerke der Malerei (DVD-ROM), distributed by DIRECTMEDIA Publishing GmbH. ISBN: 3936122202.
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Public domain
L'obra d'art mostrada en aquesta imatge i la seva reproducció són en el domini públic a escala mundial. La reproducció és part de la col·lecció compilada per The Yorck Project. Els drets de la compilació són de Zenodot Verlagsgesellschaft mbH que els cedeix sota la Llicència de documentació lliure de GNU.

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actual12:19, 19 maig 2005Miniatura per a la versió del 12:19, 19 maig 20051.576 × 2.291 (378 Ko)File Upload Bot (Eloquence){{Painting| |Title=<br /> ** ''de:'' Gruppe der Beatus-Apokalypsen zum Textkompendium des spanischen Mönches Beatus von Liebana (8. Jhd.), Szene: Die beiden Zeugen |Technique=<br /> ** ''de:'' Pergament |Dimensions=<br /> ** ''de:'' 36 × 23 cm |Location

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