Fitxer:Helene Sardeau, American sculptor, 1899-1969, at work in her studio.jpg

Fitxer original(1.300 × 1.022 píxels, mida del fitxer: 153 Ko, tipus MIME: image/jpeg)

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Descripció

Description: Helene Sardeau often conveyed contemplation, serenity and humanism in her work. Her first major commission, Slave (1933) was executed for a sculpture garden in Fairmount Park, Philadelphia. She sculpted under the pseudonym "Sardeau" even after she married fellow painter George Biddle.

Creator/Photographer: Peter A. Juley & Son

Medium: Black and white photographic print

Dimensions: 8 in x 10 in

Culture: American

Persistent URL: [1]

Repository:
institution QS:P195,Q2860568


Collection: Peter A. Juley & Son Collection - The Peter A. Juley & Son Collection is comprised of 127,000 black-and-white photographic negatives documenting the works of more than 11,000 American artists. Throughout its long history, from 1896 to 1975, the Juley firm served as the largest and most respected fine arts photography firm in New York. The Juley Collection, acquired by the Smithsonian American Art Museum in 1975, constitutes a unique visual record of American art sometimes providing the only photographic documentation of altered, damaged, or lost works. Included in the collection are over 4,700 photographic portraits of artists.

Accession number: J0066480
Data Data desconeguda
Unknown date
Font Helene Sardeau, American sculptor, 1899-1969, at work in her studio
Autor Smithsonian Institution from United States
Permís
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http://www.si.edu/copyright/

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This image was originally posted to Flickr by Smithsonian Institution at https://www.flickr.com/photos/25053835@N03/3378184809. It was reviewed on 28 de juliol de 2009 by FlickreviewR and was confirmed to be licensed under the terms of the No known copyright restrictions.

28 de juliol de 2009

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Data/horaMiniaturaDimensionsUsuari/aComentari
actual05:52, 28 jul 2009Miniatura per a la versió del 05:52, 28 jul 20091.300 × 1.022 (153 Ko)Raeky{{Information |Description= '''Description''': Helene Sardeau often conveyed contemplation, serenity and humanism in her work. Her first major commission, Slave (1933) was executed for a sculpture garden in Fairmount Park, Philadelphia. She sculpted under

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