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Línia 71:
*{{wikicite|ref={{harvid|Hung|2012}}|reference=Hung, Eric (2012). "[http://www.muscan.org/en/news/job-postings/184-job-western-university-music-theory Western University, Don Wright Faculty of Music: Tenure-Track Appointment in Music Theory]". Toronto: MusCan.}}
*{{wikicite|ref={{harvid|Isaac and Russell|2003}}|reference=Isaac and Russell (2003).{{Full citation needed|date= juliol 2015}}.}}
* {{wikicite|ref={{harvid|Jackendoff andLerdahl|1981}}|reference=[[Ray Jackendoff|Jackendoff, Ray]] and [[Fred Lerdahl]] (1981). "Generative Music Theory and Its Relation to Psychology." ''Journal of Music Theory'' 25, no.1:45–90.}}
*{{wikicite|ref={{harvid|Jamini|2005}}|reference=Jamini, Deborah (2005). ''Harmony and Composition: Basics to Intermediate'', with DVD video. Victoria, BC: Trafford. 978-1-4120-3333-6.}}
*{{wikicite|ref={{harvid|Josephs|1967}}|reference=Josephs, Jess L (1967). ''The Physics of Musical Sound''. Princeton, Toronto, and London: D. Van Nostrand Company, Inc.}}
Línia 88:
*{{wikicite|ref={{harvid|Laurie|2014}}|reference=Laurie, Timothy (2014). "Music Genre as Method". ''Cultural Studies Review'' 20, no. 2:283–92.}}
*{{wikicite|ref={{harvid|Lee and Shen|1999}}|reference=Lee, Yuan-Yuan, and Sin-Yan Shen (1999). ''Chinese Musical Instruments''. Chinese Music Monograph Series. Chicago: Chinese Music Society of North America Press. {{ISBN|1880464039}}.}}
*{{wikicite|ref={{harvid|Lerdahl|2001}}|reference=[[Fred Lerdahl|Lerdahl, Fred]] (2001). ''Tonal Pitch Space''. Oxford: Oxford University Press.}}
*{{wikicite|ref={{harvid|Lewin|1987}}|reference=[[David Lewin|Lewin, David]] (1987). ''Generalized Musical Intervals and Transformations''. New Haven: Yale University Press.}}
* {{wikicite|ref={{harvid|Linkels|n.d.}}|reference=Linkels, Ad. n.d. "The Real Music of Paradise". In ''World Music'', Vol. 2: Latin & North America, Caribbean, India, Asia and Pacific, edited by Simon Broughton and Mark Ellingham, with James McConnachie and Orla Duane, 218–29. {{Full citation needed|date= juliol 2015}}<!--Place of pub needed.-->: Rough Guides Ltd, Penguin Books. {{ISBN|1-85828-636-0}}.}}
*{{wikicite|ref={{harvid|Lloyd and Boyle|1978}}|reference=Lloyd, Llewellyn S., and Hugh Boyle (1978). ''Intervals, Scales and Temperaments''. New York: St. Martin's Press. {{ISBN|0-312-42533-3}}.}}
*{{wikicite|ref={{harvid|London|n.d.}}|reference=London, Justin (n.d.), "[http://www.people.carleton.edu/~jlondon/musical_expression_and_mus.htm Musical Expression and Musical Meaning in Context]" {{Full citation needed|date= juliol 2015}}}}
*{{wikicite|ref={{harvid|Lu|2005}}|reference=Lu, Liancheng (2005). "The Eastern Zhou and the Growth of Regionalism". In ''The Formation of Chinese Civilization'', edited by Sarah Allan, 203–48. New Haven and London: Yale University Press. {{ISBN|978-0-300-09382-7}}.}}
*{{wikicite|ref={{harvid|Lussy|1892}}|reference=Lussy, Mathis (1892). ''Musical Expression: Accents, Nuances, and Tempo, in Vocal and Instrumental Music'', translated by Miss M. E. von Glehn. Novello, Ewer, and Co.'s Music Primers 25. London: Novello, Ewer and Co.; New York: H. W. Gray}}
*{{wikicite|ref={{harvid|McAdams and Bregman|1979}}|reference=McAdams, Stephen, and Albert Bregman (1979). "[http://www.jstor.org/stable/4617866 Hearing Musical Streams]". ''Computer Music Journal'' 3, no. 4 (December): 26–43, 60.}}
*{{wikicite|ref={{harvid|Malm|1996}}|reference=Malm, William P. (1996). ''Music Cultures of the Pacific, the Near East, and Asia'', third edition. {{Full citation needed|date= juliol 2015}}<!--Place and publisher needed.-->. {{ISBN|0-13-182387-6}}.}}
Línia 126:
*{{wikicite|ref={{harvid|Scholes|1977}}|reference=Scholes, Percy A. (1977). "Form". ''The Oxford Companion to Music'', tenth edition. Oxford and New York: Oxford University Press.}}
*{{wikicite|ref={{harvid|''Semiotica''|1987}}|reference=''Semiotica'' (1987). {{Full citation needed|date= agost 2015}}<!--What the heck is this??-->.}}
*{{wikicite|ref={{harvid|Service|2013}}|reference=Service, Jonathan (2013). "[http://www.hcs.harvard.edu/soundingchina/Service.html# Chinese Music Theory]". ''Transmission/Transformation: Sounding China in Enlightenment Europe''. Cambridge: Harvard University Department of Music (web, accessed 17 December 2015).}}
*{{wikicite|ref={{harvid|Shiloah|1964}}|reference=Shiloah, Amnon (1964). [http://www.persee.fr/doc/ephe_0000-0001_1964_num_1_1_4883 La perfection des connaissances musicales: Traduction annotée du traité de musique arabe d'al-Ḥasan ibn Aḥmad ibn 'Ali al-Kātib] ''École pratique des hautes études. 4e section, Sciences historiques et philologiques, Annuaire 1964–1965'' 97, no. 1: 451–56.}}
*{{ref-llibre|cognom1=Shiloah|nom1=Amnon|títol=Music in the World of Islam: A Socio-Cultural Study|data=2003|lloc=Detroit|editorial=Wayne State University Press|isbn=0814329705|ref=harv}}
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