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Línia 138:
* Rockstro, W[illiam] S[myth] (1880). "Modes, the Ecclesiastical". ''A Dictionary of Music and Musicians (A.D. 1450–1880), by Eminent Writers, English and Foreign'', vol. 2, edited by George Grove, D. C. L., 340–43. London: Macmillan and Co.
* Samson, Jim (1977). ''Music in Transition: A Study of Tonal Expansion and Atonality, 1900-1920''. Oxford & New York: Oxford University Press. ISBN 0-460-86150-6.
*Smith, Charlotte (1989). ''[http://books.google.co.uk/books?id=usc74SGmrf8C&pg=PA14&lpg=PA14&dq=dominant+reciting+tone+tenor&source=bl&ots=WJY8oaf5WU&sig=SzGikjFrIoRCV7xMdfWv_YQ-F9k&hl=
* Solomon, Jon (1984). "[http://www.jstor.org/stable/763814 Towards a History of ''Tonoi]''". ''The Journal of Musicology'' 3, no. 3 (July): 242–51.{{doi|10.1525/jm.1984.3.3.03a00030}}
* Vieru, Anatol (1985). "Modalism-A 'Third World'". ''Perspectives of New Music'' 24, no. 1 (Fall–Winter): 62–71.
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